Rap Music: Does It Belong In My Cubist Epoch?

If you missed yesterday’s post, you have to be asking yourself “What the f*&k is an epoch?”

It’s okay, I was flummoxed too.

Two hours into my Cubist phase, even I was still thinking epoch was murdered by Notorious P.U.F.F. Daddy back in nine-six. I couldn’t have been more wrong. What in the world could Cubism have to do with rap music anyways?

Nothing, until now. In yesterday’s post, I also claimed I wasn’t creative enough to produce a Cubist work. I couldn’t have been more wrong there either. Would an uncreative person have the revolutionary idea to combine Cubism and rap music into one fluid art movement called rapism? That looks bad. Try again. Would an uncreative person have the revolutionary idea to combine Cubism and rap music into one fluid art movement called Curap? No, an uncreative person would not have that idea. That’s why I had that idea.

If yesterday’s painting was an example of my ‘early Cubist phase,’ then today’s installment is surely ‘high Curap.’ Here we see the artist (me) rip through the fabric of our tangible universe and stumble into a dimension all his own.

Heaven for a G, by Michael Cedarwood. (2015) Microsoft Paint

The painting again makes use of cubes, there’s some liquor in there, and double meaning is incorporated—the ‘G’ in question stands of course for Georges Braque, and also for the way that rap music uses the letter, as an abbreviation of ‘guy.’

The epoch rages on.